The Cambridge Handbook of the Psychology of Aesthetics and the Arts
Tinio, Pablo P L
The Cambridge Handbook of the Psychology of Aesthetics and the Arts - New York Cambridge University Press 2017 - 620p
includes index and biblioraphy
Part I. Concepts, Theories and Methods Introduction by the editors...........3 Empirical Aesthetics : Hindsight and foresight ........6 Philosophy of art and empirical Aesthetics: Resistance and rapprochement...............35 Theoretical foundations for an Empirical Aesthetics ............60 Aesthetics assessment......86 2. Perspectives and approaches to art and Aesthetics Beyond perception - information processing approaches to art appreciation .....115 Psychodynamics and the arts .....139 Evolutionary approaches to art and aesthetics...........167 The walls do speak : Psychological Aesthetics and the museum experience.......195 part III. Objects and media Empirical investigation of the elements of composition in Paintings ..........221 Mute, Motionless, variegated rectangles........243 Aesthetic responses to design ..........277 From music perception to an Integreative framework for the Psychology of aesthetics........300 Theater and dance : another pathway to understanding human Nature .............337 Arts education , Academic achievement and cognitive ability ..........364 Aesthetics and the Built environment..........385 Mirror, mirror on the wall, who`s the fairest one of all? .......................420 An aesthetics of literary fiction .............447 part IV. contemporary issues and debates Neuroaesthetics ........481 How emotions shape aesthetic experiences......500 Unusual aesthetic States.............519 Personality and Aesthetic Experience .............540 Hokusai and fuji............562 Part V. Pulling it all together And all that Jazz: rigor and relevance in the psychology of Aesthetics and the arts..................591
9781108402675 4258
Aesthetics
N45.3 / T494
The Cambridge Handbook of the Psychology of Aesthetics and the Arts - New York Cambridge University Press 2017 - 620p
includes index and biblioraphy
Part I. Concepts, Theories and Methods Introduction by the editors...........3 Empirical Aesthetics : Hindsight and foresight ........6 Philosophy of art and empirical Aesthetics: Resistance and rapprochement...............35 Theoretical foundations for an Empirical Aesthetics ............60 Aesthetics assessment......86 2. Perspectives and approaches to art and Aesthetics Beyond perception - information processing approaches to art appreciation .....115 Psychodynamics and the arts .....139 Evolutionary approaches to art and aesthetics...........167 The walls do speak : Psychological Aesthetics and the museum experience.......195 part III. Objects and media Empirical investigation of the elements of composition in Paintings ..........221 Mute, Motionless, variegated rectangles........243 Aesthetic responses to design ..........277 From music perception to an Integreative framework for the Psychology of aesthetics........300 Theater and dance : another pathway to understanding human Nature .............337 Arts education , Academic achievement and cognitive ability ..........364 Aesthetics and the Built environment..........385 Mirror, mirror on the wall, who`s the fairest one of all? .......................420 An aesthetics of literary fiction .............447 part IV. contemporary issues and debates Neuroaesthetics ........481 How emotions shape aesthetic experiences......500 Unusual aesthetic States.............519 Personality and Aesthetic Experience .............540 Hokusai and fuji............562 Part V. Pulling it all together And all that Jazz: rigor and relevance in the psychology of Aesthetics and the arts..................591
9781108402675 4258
Aesthetics
N45.3 / T494