Contemporary Indian Theatre (Record no. 100815)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02021nam a2200217 a 4500 |
| 001 - CONTROL NUMBER | |
| control field | nice12345678 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | Monogr.mrc |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20200112144849.0 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9788131608562 |
| Terms of availability | 895 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | R47.2 |
| Item number | C392 |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Chaturvedi, Ravi |
| 245 ## - TITLE STATEMENT | |
| Title | Contemporary Indian Theatre |
| Remainder of title | Theatricality and Artistic Crossovers |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Jaipur |
| Name of publisher, distributor, etc. | Rawat Publications |
| Date of publication, distribution, etc. | 2017 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 217p |
| 500 ## - GENERAL NOTE | |
| General note | includes index and biblioraphy |
| 505 2# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Tagore`s Holistic Expression: Poet`s Vision, Singer`s Emotion, Dancer`s Body ...............13 Women Directors: Interculturalism and Repositioning of Gender in the Indian Theatre ..........25 Plot and Narration in Indian Theatre: Negotiating Boundaries of Semiotic Relationship........35 Rabindranath Tagore and his Notion of Theatre as Dance .........45 Tradition of Mediation between unhappiness and Happiness: Questioning the Happy objects in North Indian Performance Tradition .............55 There is Nothing like Nautanki: A performer`s Journey to Demystify the Appeal of a Folk Theatre Tradition ..........65 Response and Responsibilities : Creative interventions and the Dancer as a Social Being ..........87 Body and Object : Key discoveries in the Process of work with body and Object ...........103 The spoken word to Performance : A disciplined interdisciplinary praxis .............111 Glocalization of Assamese folk music and its Reflection of Local Identity .......121 Theatre and history in the Postcolony: Examining Inter-Disciplinary in two Indian Plays ..........131 Forbidden Dance ...........147 Beyond the hindu nationalist Frames: Investigating the Inception of a New Language of Theatre in Rabindranath Tagore`s Play Sarodotsav ...........163 Women`s Body as a Site of Dissent : Performing Resistance in the plays of Kathryn Blume ..........181 Drama/Theatre and Film: The Dynamics of Exchange ....193 |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) | |
| b | TFS |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Books |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Cost, normal purchase price | Total Checkouts | Full call number | Barcode | Date last seen | Cost, replacement price | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| DVK Library | DVK Library | Stack -> Third Floor -> R | 895.00 | R47.2 C392 | 11068504 | 19/05/2021 | 895.00 | 12/01/2020 | Books |