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Part One Reconfiguring the Image Question,<br/>Imagining Solomon`s Temple: Aesthetics of the non-representable,<br/>Terje Stordalen,<br/>Seeing with the ear, Recognizing with the heart: Rethinking the Ontology of the Mimetic arts in Islam,<br/>Wendy M. K. Shaw,<br/>The Hypericon of the Golden Calf,<br/>Yvonne Sherwood,<br/>Idolatry beyond the Second Commandment: Conflicting figurations and sensations of the Unseen,<br/>Birgit Meyer,<br/>Part Two,<br/>Genealogies of Figuration,<br/>Beyond 'Image Ban' and 'Aniconism': Reconfiguring Ancient Israelite and Early Jewish Religion\s in a visual and material religion perspective,<br/>Christoph Uehlinger,<br/>Visual images in Medieval Jewish Culture before the Age of Art,<br/>Kalman P. Bland,<br/>Real Absence; Imagining God in Turco-Persian Book Arts, 1300-1600 CE,<br/>Christiane J. Gruber,<br/>Part Three,<br/>Figurations and Sensations- Lives and Regimes,<br/>Aesthetic Sensations of Mary: The Miraculous Icon of Meryem Ana and the Dynamics of Interreligious relations in Antakya,<br/>Jens Kreinath,<br/>The Ahi-i-Beyt Bodies: The mural paintings of Lahijan in the tradition of Persian Shiite Figurations,<br/>Pedram Khosronejad,<br/>Photographic Practices and the 'Aesthetics of Withdrawal' among Muslims of the East African Coast,<br/>Heike Behrend,<br/>Moulded Imaginaries: Icons, Idols, and the sensory environments of Eastern Orthodox Christianity,<br/>Sonja Luehrmann,<br/>Part four,<br/>Desires for the unseen: Art and Religion,<br/>From Ponte Sant'Angelo to Basilica di San Pietro: Figuration and sensation in Bernini`s pilgrimage route in Rome,<br/>Oyvind Norderval,<br/>Figuration and 'Aesthetics of the Sublime': Aspects of their interplay in Christian Art,<br/>Else Marie Bukdahi,<br/>Seeing, hearing and narrating Salome: Modernist Sensual Aesthetics and the Role of narrative blanks,<br/>Ulrike Brunotte,<br/>The Art of Incarnation; Loss and Return of Religion in Houellebecq`s submission,<br/>Christiane Kruse,<br/>Afterword: The Visual culture of Revelation,<br/>David Morgan<br/> <br/><br/> |