TY  - BOOK
AU  - Shiner, Whitney
TI  - Proclaiming the Gospel:  First-Century Performance of Mark
SN  - 1563383969   
U1  - BC57 
PY  - 2003///
CY  - New York
PB  - Trinity Press International
N1  - includes index and biblioraphy; Introduction	1  Some Conclusions	4  Sources	5   Oral Performance in the Ancient World	11  Literacy in the Ancient Mediterranean World                             11  Cost and Availability of Books	13  The Preference for Oral Delivery	14  Writing by Dictation	16  High Valuation on Oral Performance in the Ancient World 16  Competitive Nature of Ancient Oral Performance 19  Authority of the Speaker	23  Audience Specificity	26   Types of Oral Performance	37  Private Readings	3 7  Public Readings	39  Storytelling	41  Novels	41  Drama	42  Pantomime	42  Poetry	43  Epic	44  Reading in Worship	44  Scriptural Chant	45  Early Christian Speaking Styles	46  The Social Setting for a Gospel Performance	47  The Physical Setting for a Gospel Performance	49   Emotion	57  On the Artistic Description of Emotion	58  "Longinus" on Emotion	59  Emotion in Rhetoric	63  Emotional Appeals in Philosophical Discourse	67  Explicit Emotions in the Text of Mark	68  Hints from the Handbooks on the Interpretation of  Specific Passages	69  Peculiarly Christian Uses of Emotion	71  Adapting to the Emotional Predisposition of the Audience        72   Delivery	77  Emotion and the Voice	79  Delivery and Emotion	81  Reading, Speaking, and Acting	83  Delivery in School	85  Popular Style	87  The Delivery of Mark	89  Stereotyped Characters	90  Voices and Dialogue	92  Variation in Delivery	93  Narrative Speed	93  Imitative Sound Effects	95  Memorization	103  Memory Ability in Mediterranean Cultures	104  Memorization Technique	108  Markan Attitude toward Oral Performance	109  Memorization of Mark	112  Memorization Structure	114  Memory Structure of Individual Sections	117  Memorization Structure and the Composition of Mark           121   Gesture and Movement	127  Gestures from the Terence Manuscripts	129  Implied Gestures in the Text of Mark	135  Gestures for Specific Scenes Connecting Passages through Gesture   The Audience  Audiences at Philosophical Gatherings Audiences at Religious Gatherings Audience Reaction in Early Christian Gatherings Audience Response to Mark   Applause Lines  Reasons for Applause  Sententiae  Epigrams in the Gospels  Delivery of Epigrams  Applause Markers in Mark  Applause Marker in Mark 2:15-28  Vocal Effects in the Beginning of Mark  Other Applause Points  Peter`s Confession  Including the Audience  Audience Inclusion in Ancient Literature  Prologues  Direct Address in Mark  Audience-Inclusive Dialogue  Audience Inclusion and Performance Style  Peter`s Confession  The Crucifixion  The Beginning of the Joyous Proclamation of Jesus,  Messiah, Son of God The Ending of the Joyous Proclamation   Conclusion
ER  -