000			01957nam a2200265 a 4500
001			nice12345678
003			Monogr.mrc
005			20200112144928.0
008			31-Oct-19 11:18:34 AMs2006 Newa grp 000 0 eng
020			_a978082322737 _c8725
082	0	0	_aU90 _bB268
100			_aBarolini, Teodolinda
245			_aDante and the Origins of Italian Literary Culture
260			_aNew York _bFordham University Press _c2006
300			_a475p
500			_aincludes index and biblioraphy
505	2		_a1. A philosophy of Desire Dante and the lyric past ...........23 Guittone`s Ora parra, Dante`s Doglia mi reca, and the commedia`s Anatomy of Desire .....47 Dante and Cavalcanti .......70 Medieval Multiculturalism and Dante`s Theology of Hell .....102 2. Christian and Pagan Intertexts why did dante write the Commedia? Dante and the Visionary tradition ........125 Minos`s Tail: The labor of Devising hell ..........132 Q: Does dante hope for vergil`s Salvation .......151 Arachne, Argus, and St. John: Transgressive art in Dante and ovid ...........158 3. Ordering the Macrotext : Time and Narrative Cominciandomi dal Principio infino a la Fine: Forging Anti-Narrative in the vita Nuova ...........175 The making of a Lyric Sequence : Time and Narrative in petrarch`s Rerum vulgarium fragmenta ...........193 The wheel of the decameron .......224 Editing dante`s Rime and Italian Cultural History ..............245 4. Gender Le parole son Femmine ei Fatti son Maschi...........281 Dante and Francesca da rimini..................304 Sotto benda: Gender in the lyrics of Dante and Guittone D`arezzo .............333 Notes toward a gendered history of italian Literature, with a discussion of Dante`s Beatrix loquax..........360
650			_aDante
650			_aHistory and Criticism
650			_aItalian Literature
700	1		_aBarolini, Teodolinda
902			_bSPS
942			_cBK
999			_c101072 _d101072