000			01428nam a22001577a 4500
999			_c110806 _d110806
005			20220714100518.0
020			_a9781350091054
040			_cDC
082			_bSP481 _aN36.4
100			_aSpira, Andrew
245			_aThe Invention of the Self: Personal Identity in the Age of Art
260			_a London _bBloomsbury Academic _c2020
300			_a412p
505			_a1. The concept of the self 2. The emergence of the self: The structure of the medieval church and popular, heretical and visionary dissensions from it 3. The resurrection of the self: Imaginative empathy with the suffering and death of Christ 4. The localization of the self: The origins of perspective and the accommodation of the self in pictorial space 5. The Necessitation of the self: The Ennoblement of the artist and the invention of an Archetype 6. The abstraction of the self: the secularization of subject-matter and the commodification of art 7. The imaginary environments of the self: Its physical and intellectual frames of mind 8. The privatization of the self: Fireplaces, beds and mirrors 9. The automation of the self: The material culture of time-keeping 10 The sensibilities of the self: Courtesy, conversation, letter-writing and novel-reading 11. The behaviour of the self: The codification of sensibility in domestic life 12. The portrayal of the self: Facial expression and the language of personal emotion
942			_2ddc _cBK