000 | 02759cam a22003138i 4500 | ||
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001 | 22730979 | ||
005 | 20240523051238.0 | ||
010 | _a 2022036549 | ||
020 | _a9781350245136 | ||
040 |
_aDLC _beng _erda _cDLC _dDLC |
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042 | _apcc | ||
082 | 0 | 0 |
_aN18 _223/eng/20220831 _bC234 |
100 | 1 |
_aCarrier, David _eauthor. |
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245 | 1 | 0 | _aPhilosophical Skepticism as the Subject of Art: Maria Bussmann`s Drawings |
260 |
_aLondon _bBloomsbury Academic _c2023 |
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300 | _a179p | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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440 | _aAesthetics and Contemporary Art | ||
504 | _aIncludes bibliographical references and index. | ||
505 | _aIntroduction: Philosophy as a Subject for Visual Art 1. Identity/Metamorphosis/Translation 2. An Introduction to Maria Bussmann's Translations 3. Are Translations of Philosophy into Visual Art Possible? 4. Ludwig Wittgenstein, Tractatus Logico-Philosophicus 5. Maurice Merleau-Ponty, The Visible and the Invisible 6. Hannah Arendt 7. Lawrence Carroll and Maria Bussmann 8. Illustrations, Graphic Novels, Diagrams 9. An Art History Made by Bussmann 10. The Composition and Interpretation of Bussmann's Art | ||
520 |
_a"The artwork of Maria Bussmann, a trained academic German philosopher and a significant visual artist, provides an ideal test case for a philosophical study of visual art. Bussmann has internalized the relationship between art and philosophy. In this exploration of the history of German aesthetics through Bussmann's work, David Carrier places the philosophical tradition in the context of contemporary visual culture. Each chapter focuses on the arguments of a major philosopher whose concerns Bussmann has dealt with as an artist: Kant, Hegel, Merleau-Ponty, Wittgenstein and Arendt. Offering comparative accounts of artists and philosophers whose work is of especial relevance, Carrier shows how Bussmann responds visually to writings of philosophers in art that has an elusive but essential relationship to theorizing. Tackling the question of whether philosophical subjects can be presented visually, Carrier offers a fresh perspective on the German idealist position through the visual art of 21st-century artist steeped in the tradition and continually challenging it through her work"-- _cProvided by publisher. |
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600 | 1 | 0 |
_aBussmann, Maria, _d1966- _xCriticism and interpretation. |
776 | 0 | 8 |
_iOnline version: _aCarrier, David, 1944- _tPhilosophical skepticism as the subject of art _dLondon ; New York : Bloomsbury Academic, 2022 _z9781350245143 _w(DLC) 2022036550 |
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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_2ddc _cBK |
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_c114510 _d114510 |