| 000 | 01347nam a2200229 a 4500 | ||
|---|---|---|---|
| 001 | nice12345678 | ||
| 003 | Monogr.mrc | ||
| 005 | 20200112140610.0 | ||
| 008 | 04-May-18s2012 Newa grp 000 0 eng | ||
| 020 |
_a9788125047070 _c595 |
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| 082 | 0 | 0 |
_aR47.1 _bG158 |
| 100 | _aGanti, Tejaswini | ||
| 245 |
_aProducing Bollywood _b Inside the Contemporary Hindi Film Industry |
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| 260 |
_aNew Delhi _bOrient Longman Ltd _c2012 |
||
| 300 | _a424p | ||
| 500 | _aincludes index and biblioraphy | ||
| 505 | 2 | _aTHE SOCIAL STATUS OF FILMS AND FILMMAKERS From Vice to Virtue1. The State and Filmmaking in India 41 From Slumdogs to Millionaires: The Gentrincation of Hindi Cinema . Casting Respectability PART 2 THE PRACTICES AND PROCESSES OF FILM PRODUCTION A Day in the Life of a Hindi Film Set The Structure, Organization, and Social Relations of the Hindi Film Industry Sentiments of Disdain and Practices of Distinction: The Work Culture of the Hindi Film Industry . Risky Business: Managing Uncertainty in the Hindi Film Industry DISCOURSES AND PRACTICES OF AUDIENCE-MAKING Pleasing Both Aunties and Servants: The Hindi Film Industry and Its Audience Imaginaries . The Fear of Large Numbers: The Gentrincation of Audience Imaginaries | |
| 700 | 1 | _aGanti, Tejaswini | |
| 902 | _bTFS | ||
| 942 | _cBK | ||
| 999 |
_c84233 _d84233 |
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