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001 | nice12345678 | ||
003 | Monogr.mrc | ||
005 | 20200112144231.0 | ||
008 | 11-Jul-19 4:37:59 PMs2011 Newa grp 000 0 eng | ||
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082 | 0 | 0 |
_aN46 _bC181 |
100 | _aCarel, Havi | ||
245 | _aNew Takes in Film-Philosophy | ||
260 |
_aNew York _bPalgrave Macmillan _c2011 |
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300 | _a259p | ||
500 | _aincludes index and biblioraphy | ||
505 | 2 | _aPart I deep focus-Approaches to Film - Philosophy On the possibility of cinematic philosophy...........9 Re-enfranchising film: Towards a Romantic Film-Philosophy.......25 Notes on Stanley cavell and philosophical film criticism ..........48 Broken glass by the road: Adorno and a Cinema of Negativity.........65 Film can`t Philosophise : Introduction to a Non-philosophy of Cinema ...............86 2. Wide angles-the boundaries of Film-philosophy The loom of fate: Graphic origins and digital ontology in Wanted ...........103 Film, Literature and non-cognitive affect ............117 Theory as style: Adapting crah via baudrillard and cronenberg......................135 The ghost is the machine: Media - philosophy and materialism ........154 Art, Cinema, sex, ontology: Maurice merleau-ponty and the In-Visible of cinema .................171 3. Directors cut-readings in Film-Philosophy Fleshing out the image: Phenomenology, pedagogy, and derek jarman`s Blue ....................191 Serious men: The films of the coen brothers as ethics ...........................207 A bleak burlesque: Michael haneke`s Funny games as a Study in Violence ..........223 In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya tsukamoto`s Vital ................240 | |
902 | _bSFS | ||
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_c98342 _d98342 |